Not long after the Israeli attack of 2006, Ghassan Salhab directed this filmic essay; its images are both absent and present witnesses to an unexpected war. A cinematographic musing on contemporary Lebanon and a wager on the impossibility of recounting the violence of a bruised country, whose ghosts reappear from the ruins and stare at the screen, before disappearing in cross-f...
双重曝光像幽灵一样,废墟与死亡的魂萦。在渐入与淡出之间看到屏幕上自己的倒影。
[Cinéma du réel | In Ghassan Salhab's Workshop]@FS - Ruins.
#Cinéma du réel | In Ghassan Salhab's Workshop# @festivalscope 肖像的无用
作为系列作品,这部依然保持了高水准。
悬念设置得很高级,让人欲罢不能。
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